Skip to main content

Is it YA or Middle Grade?

Questions2Many aspiring children’s book authors are confused about the difference between young adult (YA) and middle grade novels.  Aren’t all teens and pre-teens young adults?  But within the industry, middle grade and YA are two totally separate genres, and it’s important to be able to differentiate between the two, to know where your manuscript fits in the marketplace.

Below is a chart highlighting some essential differences:

 

MIDDLE GRADE

YOUNG ADULT (YA)

 AGE Hero is usually 13 or younger, and in middle school (grades 4-8.) Age of reader is approximately 8-12. Hero is mid-to late teens; in high school (grades 9-12) Age of reader is 13 and up.
 THEMES Themes focus on the challenges of youth and ‘coming of age.’ May be multi-themed; often not written according to popular themes, but what the author knows or has researched.
CHARACTER JOURNEY Novels emphasize character and his/her emotional struggle, or coming of age, more than plot. More complicated, plot-wise. Hero experiences internal change, often triggered by external events. Adult problems encountered for the first time.
 SECONDARY / ADULT CHARACTERS Parents or other significant adults are often strong secondary characters. Adult characters play a backseat role.
 ENDINGS Stories generally resolve happily, or if not, it’s bittersweet – there is a strong sense of hope. Stories don’t always have happy endings, though resilience and hope are still evident.
 LANGUAGE & EDGY “CONTENT” Little to no profanity.  Think ‘darn’ vs. ‘damn.’  Also little violence or substance abuse. If any, usually involves ‘friend’ or secondary character, rather than hero. May include a lot of profanity.  May also include violence, substance abuse, or any ‘edgy’ content relevant to teens today.
 VOICE Often (though not always) told in 3rd person narrative form – though usually close 3rd person, i.e. always ‘with’ the protagonist. Often told from the viewpoint of or in the 1st person voice of the young adult hero, as opposed to a 3rd person narrator. Language may be more lyrical/poetic – may even be in verse.
ROMANCE / SEX Romance is largely innocent and sexuality is at a minimum. Think “first kiss” or hand holding, if anything at all. Romance and sexuality abound – though sex scenes are not usually graphic. (Save that for adult fiction.)
 FOCUS / PERSPECTIVE Perspective is internal; focused on self-growth and hero discovering who he/she is in the world. Perspective becomes external. Hero notices world around them and how they fit in. Often moves from more selfish developmental stage to awareness of feelings and circumstances of others.
 SUBJECT MATTER Most MG kids’ lives are still controlled by adults – so fantasy and magic are popular. Characters are old enough to be independent and get into trouble, so grittiness and realism abounds.
Writing Courses

Just Write for Kids

Just Write for Kids will teach you the fundamental aspects of writing for preschoolers and elementary school-aged children.
Learn More

Editor-in-a-Box

This expanded and refined toolkit walks you through a complete picture book revision process.
Learn More

Latest from the Kid Compass Blog

Why the Publishing Process Takes So Long

Why the Publishing Process Takes So Long

One of the biggest surprises for debut authors is discovering how slooooooowly traditional publishing moves. Writers often imagine that once a manuscript sells, publication quickly follows. In reality, most traditionally…
Read more
How Much Creative Control Do Authors Really Have?

How Much Creative Control Do Authors Really Have?

Aspiring authors are often nervous about the possibility of losing creative control once they enter the publishing world. Will editors change everything? Will illustrators change the vision? Will publishers alter…
Read more
What Makes a Children’s Book Enduring?

What Makes a Children’s Book Enduring?

Publishing professionals often distinguish between books that are “marketable” and books that are “lasting.” The two are not always the same thing. A marketable book usually has a strong hook…
Read more
How Writers Find the Right Agent

How Writers Find the Right Agent

Writers often imagine that securing an agent is like winning a golden ticket — one magical “yes” that changes everything overnight. In reality, finding the right literary agent is usually…
Read more

Subscribe to the Kidlit Compass Newsletter